herself "Ouida" both forced themselves well within the frontier of fine literature. The Beleaguered City is literature in its highest sense; the other works of its author tend to fall into fiction in its best working sense. Mrs. Oliphant was infinitely saner in that city of ghosts than the cosmopolitan Ouida ever was in any of the cities of men. Mrs. Oliphant would never have dared to discover, either in heaven or hell, such a thing as a hairbrush with its back encrusted with diamonds. But though Ouida was violent and weak where Mrs. Oliphant might have been mild and strong, her own triumphs were her own. She had a real power of expressing the senses through her style; of conveying the very heat of blue skies or the bursting of palpable pomegranates. And just as Mrs. Oliphant transfused her more timid Victorian tales with a true and intense faith in the Christian mystery—so Ouida, with infinite fury and infinite confusion of thought, did fill her books with
