lish the Church: you must not even leave the Church: you must stop inside it and think what you choose. Enemies might say that he was simply trying to establish and endow Agnosticism. It is fairer and truer to say that unconsciously he was trying to restore Paganism: for this State Ritualism without theology, and without much belief, actually was the practice of the ancient world. Arnold may have thought that he was building an altar to the Unknown God; but he was really building it to Divus Cæsar.
As a critic he was chiefly concerned to preserve criticism itself; to set a measure to praise and blame and support the classics against the fashions. It is here that it is specially true of him, if of no writer else, that the style was the man. The most vital thing he invented was a new style: founded on the patient unravelling of the tangled Victorian ideas, as if they were matted hair under a comb. He did not mind how elaborately long he made a sentence, so long as he made it
