after having lived in the shadow of Antiquity, lived in its sunshine once more.
This process of assimilation of the classic spirit, however, was intricate and full of incongruities. The new form and the new spirit do not yet coincide. The classical form may serve to express the old conceptions: more than one humanist chooses the sapphic strophe for a pious poem of purely medieval inspiration. Traditional forms, on the other hand, may contain the spirit of the coming age. Nothing is more erroneous than to identify classicism and modern culture.
The fifteenth century in France and the Netherlands is still medieval at heart. The diapason of life had not yet changed. Scholastic thought, with symbolism and strong formalism, the thoroughly dualistic conception of life and the world still dominated. The two poles of the mind continued to be chivalry and hierarchy. Profound pessimism spread a general gloom over life. The gothic principle prevailed in art. But all these forms and modes were on the wane. A high and strong culture is declining, but at the same time and in the same sphere new things are being born. The tide is turning, the tone of life is about to change.
