“Why don’t you ask me?” said the latter quickly.
“Well—but you are not often here.”
“I am here now. Come——” and she waved Emily imperiously to the attempt.
Lettie, as I have said, is tall, approaching six feet; she is lissome, but firmly moulded, by nature graceful; in her poise and harmonious movement are revealed the subtle sympathies of her artist’s soul. The other is shorter, much heavier. In her every motion you can see the extravagance of her emotional nature. She quivers with feeling; emotion conquers and carries havoc through her, for she has not a strong intellect, nor a heart of light humour; her nature is brooding and defenceless; she knows herself powerless in the tumult of her feelings, and adds to her misfortunes a profound mistrust of herself.
As they danced together, Lettie and Emily, they showed in striking contrast. My sister’s ease and beautiful poetic movement, was exquisite; the other could not control her movements, but repeated the same error again and again. She gripped Lettie’s hand fiercely, and glanced up with eyes full of humiliation and terror of her continued failure, and passionate, trembling, hopeless desire to succeed. To show her, to explain, made matters worse. As soon as she trembled on the brink of an action, the terror of not being able to perform it properly blinded her, and she was conscious of nothing but that she must do something—in a turmoil. At last Lettie ceased to talk, and merely swung her through the dances haphazard. This way succeeded better. So long as Emily need not think about her actions, she had a large, free grace; and the swing and rhythm and
