“I don’t know. Perhaps not—but—still I don’t think she feels——”
At this he lighted a cigarette to soothe his excited feelings, and there was silence for some time. Then the girls came down. We could hear their light chatter. Lettie entered the room. He jumped up and surveyed her. She was dressed in soft, creamy, silken stuff; her neck was quite bare; her hair was, as Marie promised, fascinating; she was laughing nervously. She grew warm, like a blossom in the sunshine, in the glow of his admiration. He went forward and kissed her.
“You are splendid!” he said.
She only laughed for answer. He drew her away to the great arm-chair, and made her sit in it beside him. She was indulgent and he radiant. He took her hand and looked at it, and at his ring which she wore.
“It looks all right!” he murmured.
“Anything would,” she replied.
“What do they mean—sapphires and diamonds—for I don’t know?”
“Nor do I. Blue for hope, because Speranza in ‘Fairy Queen’ had a blue gown—and diamonds for—the crystalline clearness of my nature.”
“Its glitter and hardness, you mean—You are a hard little mistress. But why Hope?”
“Why?—No reason whatever, like most things. No, that’s not right. Hope! Oh—Blindfolded—hugging a silly harp with no strings. I wonder why she didn’t drop her harp framework over the edge of the globe, and take the handkerchief off her eyes, and have a look round! But of course she was a
