She rose and followed him down the steep side of the pit, crying, “Ah, you are treading on the flowers.”
“No,” said he, “I am being very careful.”
They sat down together on a fallen tree at the bottom. She leaned forward, her fingers wandering white among the shadowed grey spaces of leaves, plucking, as if it were a rite, flowers here and there. He could not see her face.
“Don’t you care for me?” he asked softly.
“You?”—she sat up and looked at him, and laughed strangely. “You do not seem real to me,” she replied, in a strange voice.
For some time they sat thus, both bowed and silent. Birds “skirred” off from the bushes, and Emily looked up with a great start as a quiet, sardonic voice said above us:
“A dove-cot, my eyes if it ain’t! It struck me I ’eered a cooin’, an’ ’ere’s th’ birds. Come on, sweet-hearts, it’s th’ wrong place for billin’ an’ cooin’, in th’ middle o’ these ’ere snowdrops. Let’s ’ave yer names, come on.”
“Clear off, you fool!” answered Leslie from below, jumping up in anger.
We all four turned and looked at the keeper. He stood in the rim of light, darkly; fine, powerful form, menacing us. He did not move, but like some malicious Pan looked down on us and said:
“Very pretty—pretty! Two—and two makes four. ’Tis true, two and two makes four. Come on, come on out o’ this ’ere bridal bed, an’ let’s ’ave a look at yer.”
“Can’t you use your eyes, you fool,” replied Les-
