When we got back into Nottingham she entreated him not to go to the hôtel as he had proposed, and he readily yielded. Instead they went to the Castle. We stood on the high rock in the cool of the day, and watched the sun sloping over the great river-flats where the menial town spread out, and ended, while the river and the meadows continued into the distance. In the picture galleries, there was a fine collection of Arthur Melville’s paintings. Meg thought them very ridiculous. I began to expound them, but she was manifestly bored, and he was half-hearted. Outside in the grounds was a military band playing. Meg longed to be there. The townspeople were dancing on the grass. She longed to join them, but she could not dance. So they sat awhile looking on.
We were to go to the theatre in the evening. The Carl Rosa Company was giving “Carmen” at the Royal. We went into the dress circle “like giddy dukes,” as I said to him, so that I could see his eyes dilate with adventure again as he laughed. In the theatre, among the people in evening dress, he became once more childish and timorous. He had always the air of one who does something forbidden, and is charmed, yet fearful, like a trespassing child. He had begun to trespass that day outside his own estates of Nethermere.
“Carmen” fascinated them both. The gaudy, careless Southern life amazed them. The bold free way in which Carmen played with life startled them with hints of freedom. They stared on the stage fascinated. Between the acts they held each other’s hands, and looked full into each other’s wide bright eyes, and, laughing with excitement, talked about the
