ing down upon the floor of our prison, notwithstanding the poisonous stench, and the confined and impure atmosphere, we were soon buried in profound slumbers. Sleep is the dearest solace of the wretched; and there is this sweet touch of mercy in it, that it ever closes the eyes of the oppressed, more willingly than those of the oppressor. I hardly think that any member of the firm of Savage, Brothers & Co slept so soundly that night, as did the most unquiet of their newly purchased victims.
Day came — the prison-door was unlocked, and we were let out into the enclosure about it. The scanty allowance of corn-bread which the penuriousness of our wealthy but economical masters allowed us, was doled out to each. My meal finished, I sat down upon the ground, and observed the scene about me. With a few exceptions, the prisoners were collected in groups, some containing two or three, and others a much larger number. The men were more numerous than the women, though the females had received a considerable addition from our party. The acquaintance of these new comers was eagerly sought for, and they were constantly receiving solicitations to enter into temporary unions, to last while the parties remained together. Most of the women whom we found in the prison, had already formed connections of this sort.
These courtships, if so they should be called, were still going on, when a tall young fellow, with a very quizical face, produced a three-stringed fiddle, and after preluding for a few moments, struck up a lively tune. The sound of the music soon drew a large group about him, who provided themselves with partners and began a dance. As the fiddler warmed to his business, he played faster and faster; and the dancers, amidst laughs and shouts and boisterous merriment, did their best to keep up with the tune.
It is thus that men, whenever their natural sources of enjoyment fail them, betake themselves to artificial excitements. Too often, we sing and dance, not because we are merry, but in the hope to become so; and merriment itself is seldomer the expression and the evidence of pleasure, than the disguise of weariness and pain, — the hollow echo of an aching heart.
