THE WINGS OF THE DOVE
and allowed for that misfortune; therefore when, in talk with him, she was violent and almost unfeminine, it was almost as if they had settled, for intercourse, on the short cut of the fantastic and the happy language of exaggeration. It had come to be definite between them at a primary stage that, if they could have no other straight way, the realm of thought at least was open to them. They could think whatever they liked about whatever they would—or, in other words, they could say it. Saying it for each other, for each other alone, only of course added to the taste. The implication was thereby constant that what they said when not together had no taste for them at all, and nothing could have served more to launch them, at special hours, on their small floating island than such an assumption that they were only making believe everywhere else. Our young man, it must be added, was conscious enough that it was Kate who profited most by this particular play of the fact of intimacy. It always seemed to him that she had more life than he to react from, and when she recounted the dark disasters of her house and glanced at the hard, odd offset of her present exaltation—since as exaltation it was apparently to be considered—he felt his own grey domestic annals to make little show. It was naturally, in all such reference, the question of her father's character that engaged him most, but her picture of her adventure in Chirk Street gave him a sense of how little as yet that character
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