THE WINGS OF THE DOVE
bling mill, matter for his journalising hand. That hand already, in intention, played over it—the "motive," as a sign of the season, a feature of the time, of the purely expeditious and rough-and-tumble nature of the social boom. The boom as in itself required—that would be the note; the subject of the process a comparatively minor question. Anything was boomable enough when nothing else was more so: the author of the "rotten" book, the beauty who was no beauty, the heiress who was only that, the stranger who was for the most part saved from being inconveniently strange but by being inconveniently familiar, the American whose Americanism had been long desperately discounted, the creature in fine as to whom spangles or spots of any sufficiently marked and applied sort could be loudly enough predictated.
So he judged, at least, within his limits, and the idea that what he had thus caught in the fact was the trick of fashion and the tone of society went so far as to make him take up again his sense of independence. He had supposed himself civilised; but if this was civilisation———! One could smoke one's pipe outside when twaddle was within. He had rather avoided, as we have remarked, Kate's eyes, but there came a moment when he would fairly have liked to put it, across the table, to her: "I say, light of my life, is this the great world?" There came another, it must be added—and doubtless as a result of something that, over the cloth, did hang between
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