THE WINGS OF THE DOVE
it was true, would be what she must reveal only when driven to her last entrenchments and well cornered in her passion—the rare passion of friendship, the sole passion of her little life save the one other, more imperturbably cerebral, that she entertained for the art of Guy de Maupassant. She slipped in the observation that her Milly was incapable of change, was just exactly, on the contrary, the same Milly; but this made little difference in the drift of Kate's contention. She was perfectly kind to Susie: it was as if she positively knew her as handicapped for any disagreement by feeling that she, Kate, had "type," and by being committed to admiration of type. Kate had occasion subsequently—she found it somehow—to mention to our young man Milly's having spoken to her of this view on the good lady's part. She would like—Milly had had it from her—to put Kate Croy in a book and see what she could so do with her. "Chop me up fine or serve me whole"—it was a way of being got at that Kate professed she dreaded. It would be Mrs. Stringham's, however, she understood, because Mrs. Stringham, oddly, felt that with such stuff as the strange English girl was made of, stuff that (in spite of Maud Manningham, who was full of sentiment) she had never known, there was none other to be employed. These things were of later evidence, yet Densher might even then have felt them in the air. They were practically in it already when Kate, waiving the question of her friend's chemical change, wound up
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