purpose and got audience, Angel, and violin together at Siddermorton House before the week was out. "A genius the Vicar has discovered," she said; so with eminent foresight putting any possibility of blame for a failure on the Vicar's shoulders. "The dear Vicar tells me," she would say, and proceed to marvellous anecdotes of the Angel's cleverness with his instrument. But she was quite in love with her idea—she had always had a secret desire to play the patroness to obscure talent. Hitherto it had not turned out to be talent when it came to the test.
"It would be such a good thing for him," she said. "His hair is long already, and with that high colour he would be beautiful, simply beautiful on a platform. The Vicar's clothes fitting him so badly makes him look quite like a fashionable pianist already. And the scandal of his birth—not told, of course, but whispered—would be—quite an Inducement—when he gets to London, that is."
The Vicar had the most horrible sensations as the day approached. He spent hours trying to explain the situation to the Angel, other hours trying to imagine what people would think, still worse hours trying to anticipate the Angel's behaviour. Hitherto the Angel had always played for his own satisfaction. The Vicar would startle him every now and then by rushing upon him with some new point of etiquette that had just occurred to him. As for instance: "It's very important where you put your hat, you know. Don't put it on a chair, whatever you do. Hold it until you get your tea, you know, and then—let me see—then put it down somewhere, you know." The
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