THE UNDYING FIRE
leads a life of fear; a dirty scrap of rag will turn him from his path. Much of his waking life is prowling hunger; when he kills he eats ravenously, he eats to the pitch of discomfort; he lies up afterwards in reeds or bushes, savage, disinclined to move. The hunter must beat him out, and he comes out sluggishly and reluctantly to die. His paws, too, are strangely tender; a few miles of rock will make them bleed, they gather thorns. . . . His mouth is so foul that his bite is a poisoned bite. . . .
"All that day I struggled against this persuasion that the utmost happiness of any animal is at best like a transitory smile on a grim and inhuman countenance. I tried to recall some humorous and contented-looking creatures. . . .
"That only recalled a fresh horror. . . .
"You will have seen pictures and photographs of penguins. They will have conveyed to you the sort of effect I tried to recover. They express a quaint and jolly gravity, an aldermanic contentment. But to me now the mere thought of a penguin raises a vision of distress. I will tell you. . . . One of my old boys came to me a year or so ago on his return from a South Polar expedition; he told me the true story of these birds. Their lives, he said—he was speaking more particularly of the king penguin—are tormented by a monstrously exaggerated maternal instinct, an instinct shared by both sexes, which is a necessary condition of survival in the crowded rookeries of that frozen environment. And that instinct makes life one long torment for them. There is always a great smashing of eggs there through vari-
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