Page:The Works of J. W. von Goethe, Volume 1.djvu/191

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MEISTER'S APPRENTICESHIP
145

Meanwhile the time had passed away very pleasantly. Each had strained his fancy and his wit to the utmost, and each had garnished his part with agreeable and entertaining jests. Thus comfortably occupied, they reached the place where they meant to pass the day; and Wilhelm, going out to walk with the clergy-man, as both from his appearance and late character he persisted in naming him, soon fell into an interesting conversation.

"I think this practice," said the stranger, "very useful among actors, and even in the company of friends and acquaintances. It is the best mode of drawing men out of themselves, and leading them, by a circuitous path, back into themselves again. It should be a custom with every troop of players to practise in this manner: and the public would assuredly be no loser if every month an unwritten piece were brought forward; in which, of course, the players had prepared themselves by several rehearsals."

"One should not, then," replied our friend, "consider an extempore piece as, strictly speaking, composed on the spur of the moment, but as a piece, of which the plan, action, and division of the scenes were given; the filling up of all this being left to the player."

"Quite right," said the stranger; "and, in regard to this very filling up, such a piece, were the players once trained to these performances, would profit greatly. Not in regard to the mere words, it is true; for, by a careful selection of these, the studious writer may certainly adorn his work; but in regard to the gestures, looks, exclamations, and everything of that nature: in short, to the mute and half-mute play of the dialogue, which seems by degrees fading away among us altogether. There are indeed some players in Germany whose bodies figure what they think and feel; who by their silence, their delays, their looks, their slight, graceful movements, can prepare the audience for a