illuminate it with colours, to show the material and the age. It must not, however, be imagined that the architect has built himself a palace. The house is the most modest in the world, with only two windows, separated from each other by a broad space which would admit a third. If it were imitated in a picture which should exhibit the neighbouring houses at the same time, the spectator would be pleased to observe how it has been let in between them. Canaletto was the man who should have painted it.
Sept. 22.
To-day I visited the splendid building which stands on a pleasant elevation about half a league from the town, and is called the "Rotonda." It is a quadrangular building, enclosing a circular hall, lighted from the top. On all the four sides you ascend a broad flight of steps, and always come to a vestibule, which is formed of six Corinthian columns. Probably the luxury of architecture was never carried to so high a point. The space occupied by the steps and vestibules is much larger than that occupied by the house itself, for every one of the sides is as grand and pleasing as the front of a temple. With respect to the inside, it may be called habitable, but not comfortable. The hall is of the finest proportions, and so are the chambers; but they would hardly suffice for the actual wants of any genteel family in a summer residence. On the other hand, it presents a most beautiful appearance as it is viewed on every side throughout the district. The variety which is produced by the principal mass, as, together with the projecting columns, it is gradually brought before the eyes of the spectator who walks round it, is very great; and the purpose of the owner, who wished to leave a large trust-estate and at the same time a visible monument of his wealth, is completely obtained. And, while the building appears in all its magnificence when viewed from any
