from the manner in which the Prato is surrounded, and which affords a very beautiful and imposing view.
A huge oval is surrounded with statues, all representing celebrated men who have taught or studied at the University. Any native or foreigner is allowed to erect a statue of a certain size to any countryman or kinsman, as soon as the merit of the person and his academical residence at Padua are proved.
A moat filled with water goes round the oval. On the four bridges which lead up to it stand colossal figures of popes and doges. The other statues, which are smaller, have been set up by corporations, private individuals, or foreigners. The King of Sweden caused a figure of Gustavus Adolphus to be erected, because, it is said, he once heard a lecture in Padua. The Archduke Leopold revived the memory of Petrarch and Galileo. The statues are in a good, modern style, a few of them rather affected, some very natural, and all in the costume of their rank and dignity. The inscriptions deserve commendation. There is nothing in them absurd or paltry.
At any university this would have been a happy thought; and here it is particularly so, because it is very delightful to see a whole line of departed worthies thus called back again. It will, perhaps, form a very beautiful Prato, when the wooden Fièra will have been removed, and one built of stone, according to the plan they are said to have made.
In the consistory of a fraternity dedicated to St. Anthony, there are some pictures of an early date, which remind one of the old German paintings, and also some by Titian, in which may be remarked the great progress which no one has made on the other side of the Alps. Immediately afterward I saw works by some of the most modern painters. These artists, as they could not hope to succeed in the lofty and the serious, have been very happy in hitting the humourous.
