atrium of Corinthian columns. Here one feels delighted, and forgets all priestcraft. At one end the sacristy, at another a chapter-room is found; while there is the finest winding staircase in the world, with a wide well, and the stone steps built into the wall, and so laid that one supports another. One is never tired of going up and down this staircase; and we may judge of its success from the fact that Palladio himself declares that he has succeeded. The fore-court leads to the large inner court. Unfortunately, nothing is finished of the building which was to surround this, except the left side. Here there are three rows of columns, one over the other. On the ground-floor are the halls; on the first story is an archway in front of the cells; and the upper story consists of a plain wall with windows. However, this description should be illustrated by a reference to the sketches. I will just add a word about the execution.
Only the capitals and bases of the columns, and the keystones of the arches, are of hewn stone: all the rest is—I will not say of brick, but—of burned clay. This description of tile I never saw before. The frieze and cornice are of the same material, as well as the parts of the arch. All is but half burnt; and lastly the building is put together with a very little lime. As it stands, it looks as if it had been produced at one cast. If the whole had been finished, and properly rubbed up and coloured, it would have been a charming sight.
However, as so often happens with buildings of a modern time, the plan was too large. The artist had presupposed, not only that the existing convent would be pulled down, but also that the adjoining houses would be bought; and here money and inclination probably began to fail. Kind Destiny, thou who hast formed and perpetuated so much stupidity, why didst thou not allow this work to be completed!
