Moreover, there are to be met with in every spot and corner glorious things of which less has been said, and which have not been scattered over the world by engravings and copies. Of these I shall bring away with me many a drawing from the hands of young but excellent artists.
The fact that I have long maintained a correspondence with Tischbein, and consequently been on the best possible terms with him, and that, even when I had no hope of ever visiting Italy, I had communicated to him my wishes, has made our meeting most profitable and delightful. He has always been thinking of me, even providing for my wants. With the varieties of stone of which all the great edifices, whether old or new, are built, he has made himself perfectly acquainted. He has thoroughly studied them, and these studies have been greatly helped by his artistic eye and the artist's pleasure in sensible things. Just before my arrival, he sent off to Weimar a collection of specimens which he had selected for me, and which I expect will give me a friendly welcome on my return.
An ecclesiastic who is now residing in France, and had in contemplation to write a work on the ancient marbles, received through the influence of the Propaganda some large pieces of marble from the Island of Paros. When they arrived here, they were cut up for specimens; and twelve different pieces, from the finest to the coarsest grain, were reserved for me. Some were of the greatest purity, while others are more or less mingled with mica; the former being used for statuary, the latter for architecture. How much an accurate knowledge of the material employed in the arts must contribute to a right estimate of them, must be obvious to every one.
There are opportunities enough here for my collecting many more specimens. In our way to the ruins of Nero's Palace, we passed through some artichoke
