Here in Rome, where one sees so many strangers, all of whom do not visit this capital of the world merely for the sake of the fine arts, but also for amusements of every kind, the people are prepared for everything. Accordingly, they have invented and attained great excellence in certain half arts which require for their pursuit little more than manual skill and pleasure in such handiwork, and which consequently attract the interest of ordinary visitors.
Among these is the art of painting in wax. Requiring little more than tolerable skill in water-colouring, it serves as an amusement to employ one's time in preparing and adapting the wax, and then in burning it, and in such like mechanical labours. Skilful artists give lessons in the art, and, under the pretext of showing their pupils how to perform their tasks, do the chief part of the work themselves; so that when at last the figure stands out in bright relief in the gilded frame, the fair disciple is ravished with the proof of her unconscious talent.
Another pretty occupation is, with a very fine clay to take impressions of cameos cut in deep relief. This is also done in the case of medallions, both sides of which are thus copied at once. More tact, attention, and diligence is required, lastly, for preparation of the glass-paste for mock jewels. For all these things Hofrath Reiffenstein has the necessary workshops and laboratories, either in his house or close at hand.
I have accidentally found here Anhenholtz's "Italy." A work written on the spot, in so contracted and narrow-minded a spirit as this, is just as if one were to lay a book purposely on the coals in order that it might be browned and blackened, and its leaves curled up
