already enjoyed a sure and steady view of the object, then one may profitably hear or read about it; for then there exists a living impression around which all else may arrange itself in the mind, and then one can think and judge.
You have often laughed at me, and wished to drive me away from the peculiar taste I had for examining stones, plants, or animals, from certain theoretical points of view: now, however, I am directing my attention to architects, statuaries, and painters, and hope to find myself learning something even from them.
After all this, I must further speak to you of the state of indecision in which I am with regard to my stay in Italy. In my last letter I wrote to you that it was my purpose to leave Rome immediately after Easter, and gradually return home. Until then I shall yet gather a few more shells from the shore of the great ocean, and so my most urgent needs will have been appeased. I am now cured of a violent passion and disease, and restored to the enjoyment of life, to the enjoyment of history, poetry, and of antiquities, and have treasures which it will take me many a long year to polish and to finish.
Recently, however, friendly voices have reached me to the effect that I ought not to be in a hurry, but to wait till I can return home with still richer gains. From the duke, too, I have received a very kind and considerate letter, in which he excuses me from my duties for an indefinite period, and sets me quite at ease with respect to my absence. My mind, therefore, turns to the vast field which I must otherwise have left untrodden. For instance, in the case of coins and cameos, I have as yet been able to do nothing. I have, indeed, begun to read Winckelmann's "History of Art," but have passed over Egypt: for I feel, once
