busy courier showed us the rooms and their contents. To our great horror, the room in which the antiques are generally placed was in the greatest disorder, in consequence of the walls being in the process of decoration. The statues were removed from their usual places, covered with cloth, and protected by wooden frames; so that in spite of the good will of our guide, and some trouble on the part of the work-people, we could only gain a very imperfect idea of them. My attention was chiefly occupied with two rams in bronze, which, notwithstanding the unfavourable circumstances, highly delighted our artistic taste. They are represented in a recumbent posture, with one foot stretched out before them, with the heads (in order to form a pair) turned on different sides. Powerful forms, belonging to the mythological family, and well worthy to carry Phrixus and Helle. The wool, not short and crisp, but long and flowing, with a slight wave, and shape most true to nature, and extremely elegant: they evidently belonged to the best period of Grecian art. They are said to have stood originally in the harbour of Syracuse.
The courier now took us out of the city to the catacombs, which, laid out on a regular architectural plan, are anything but quarries converted into burial-places. In a rock of tufa, of tolerable hardness, the side of which has been worked level and perpendicular, vaulted openings have been cut; and in these, again, are hewn several tiers of sarcophagi, one above the other, all of the natural material, without masonry of any kind. The upper tiers are smaller, and in the spaces over the pillars are tombs for children.
Palermo,
Thursday, April 12.
To-day we have been shown Prince Torremuzza's cabinet of medals. I was, in a certain degree, loath to
