Page:The Works of J. W. von Goethe, Volume 4.djvu/456

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424
TRUTH AND FICTION

When we had had enough of the minuet, I requested my father to play some other dance-music, of which our music-books, in their jigs and murkies,[1] offered us a rich supply; and I immediately found out, of myself, the steps and other motions for them, the time being quite suitable to my limbs, and, as it were, born with them. This pleased my father to a certain degree; indeed, he often, by way of joke for himself and us, let the "monkies" dance in this way. After my misfortune with Gretchen, and during the whole of my residence in Leipzig, I did not make my appearance again on the floor: on the contrary, I still remember, that when, at a ball, they forced me into a minuet, both measure and motion seemed to have abandoned my limbs, and I could no longer remember either the steps or the figures; so that I should have been put to disgrace and shame if the greater part of the spectators had not maintained that my awkward behaviour was pure obstinacy, assumed with the view of depriving the ladies of all desire to invite me and draw me into their circle against my will.

During my residence in Frankfort I was quite cut off from such pleasures; but in Strasburg, with other enjoyments of life, there soon arose in my limbs the faculty of keeping time. On Sundays and week-days one sauntered by no pleasure-ground without finding there a joyous crowd assembled for the dance, and for the most part revolving in the circle. Moreover, there were private balls in the country houses; and people were already talking of the brilliant masquerades of the coming winter. Here, indeed, I should have been out of my place, and useless to the company, when a friend, who waltzed very well, advised me to practise myself first in parties of a lower rank, so that afterward

  1. A "murki" is defined as an old species of short composition for the harpsichord, with a lively murmuring accompaniment in the bass.—Trans.