immediately repulsed; and here began a scene which is yet painful to me in the recollection, and which, although really it had nothing theatrical about it, but was quite suitable to a lively young Frenchwoman, could only be properly repeated in the theatre by a good and feeling actress.
Lucinda overwhelmed her sister with a thousand reproaches. "This is not the first heart," she cried, "that was inclining itself to me, and that you have turned away. Was it not just so with him who is absent, and who at last betrothed himself to you under my very eyes? I was compelled to look on; I endured it; but I know how many thousand tears it has cost me. This one, too, you have now taken away from me, without letting the other go; and how many do you not manage to keep at once? I am frank and good-natured; and every one thinks he knows me soon, and may neglect me. You are secret and quiet, and people think wonders of what may be concealed behind you. Yet there is nothing behind but a cold, selfish heart that can sacrifice everything to itself; this nobody learns so easily, because it lies deeply hidden in your breast: and just as little do they know of my warm, true heart, which I carry about with me as open as my face."
Emilia was silent, and had sat down by her sister, who became constantly more and more excited in her discourse, and let certain private matters slip out, which it was not exactly proper for me to know. Emilia, on the other hand, who was trying to pacify her sister, made me a sign from behind that I should withdraw; but, as jealousy and suspicion see with a thousand eyes, Lucinda seemed to have noticed this also. She sprang up and advanced to me, but not with vehemence. She stood before me, and seemed to be thinking of something. Then she said, "I know that I have lost you: I make no further pretensions
