want of merit to find its own level. Each one sought his own individual amusement, and the general conversation was often of a nature to attract attention.
At this time, a gentleman named Seyton arrived, accompanied by his wife. He was a man who had seen much of the world, first from his engagement in business, and afterward in political affairs: he was, moreover, an agreeable companion; although, in mixed society, he was chiefly remarkable for his talent as a card-player. His wife was a worthy woman, kind and faithful, and enjoying the most perfect confidence and esteem of her husband. She felt happy that she could now give uncontrolled indulgence to her taste for pleasure. At home she could not exist without a companion, and she found in amusement and diversions the only incentive to home enjoyment.
We must treat our readers as strangers, or rather as visitors to the club; and in full confidence we must introduce them speedily to our new society. A poet paints his characters by describing their actions: we must adopt a shorter course, and by a hasty sketch introduce our readers rapidly to the scenes.
Seyton approached the table and looked at the pictures.
"A discussion has arisen," observed Henrietta, "with respect to caricatures. What side do you take? I am in favour of them, and wish to know whether all caricatures do not possess something irresistibly attractive?"
Amelia.—And does not every evil calumny, provide it relate to the absent, also possess an incredible charm?
Henrietta.—But does not a sketch of this kind produce an indelible impression?
Amelia.—And that is just the reason why I condemn it. Is not the indelible impression of what is disagreeable precisely the evil which so constantly pursues us in life and destroys our greatest enjoyments?
