Page:The Works of Lord Byron (ed. Coleridge, Prothero) - Volume 2.djvu/374

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St. Mark yet sees his Lion[1] where he stoodN3
Stand, but in mockery of his withered power,
Over the proud Place where an Emperor sued,[2][3]
And monarchs gazed and envied in the hour
When Venice was a Queen with an unequalled dower.

    the present one, which, by its splendour, makes us forget the original....

    "The vessel is all ornament; we ought to say, it is overladen with ornament; it is altogether one piece of gilt carving, for no other use.... This state-galley is a good index to show what the Venetians were, and what they considered themselves."—Travels in Italy, 1883, p. 68.

    Compare, too, Wordsworth's sonnet "On the Extinction of the Venetian Republic"—

    "She was a maiden City, bright and free;
    No guile seduced, no force could violate;
    And when she took unto herself a Mate,
    She must espouse the everlasting Sea."

    Works, 1888, p. 180.]

  1. [For "Lion," see Hobhouse's note iii. The "Horses of St. Mark" (vide post, stanza xiii. line 1), which, according to history or legend, Augustus "conveyed" from Alexandria to Rome, Constantine from Rome to Constantinople, Dandolo, in 1204, from Constantinople to Venice, Napoleon, in 1797, from Venice to Paris, and which were restored to the Venetians by the Austrians in 1815, were at one time supposed to belong to the school of Lysippus. Haydon, who published, in 1817, a curious etching of "The Elgin Horse's Head," placed side by side with the "Head of one of the Horses ... now at Venice," subscribes the following critical note: "It is astonishing that the great principles of nature should have been so nearly lost in the time between Phidias and Lysippus. Compare these two heads. The Elgin head is all truth, the other all manner." Hobhouse pronounces the "Horses" to be "irrevocably Chian," but modern archæologists regard both "school" and exact period as uncertain.]
  2. Even on the pillar——.—[MS. M., D. erased.]
  3. [According to Milman (Hist. of Lat. Christianity, v. 144), the humiliation of Barbarossa at the Church of St. Mark took place on Tuesday, July 24, 1177. À propos of the return of the Pope and Emperor to the ducal palace, he quotes "a curious passage from a newly recovered poem,