Page:The Works of Lord Byron (ed. Coleridge, Prothero) - Volume 2.djvu/487

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CANTO IV.]
CHILDE HAROLD’S PILGRIMAGE.
443

Shalt one day, if found worthy, so defined
See thy God face to face, as thou dost now
His Holy of Holies—nor be blasted by his brow.[1]


CLVI.

Thou movest—but increasing with the advance,[2]
Like climbing some great Alp, which still doth rise,
Deceived by its gigantic elegance—
Vastness which grows, but grows to harmonize—[3]
All musical in its immensities;
Rich marbles, richer painting—shrines where flame[4]
The lamps of gold—and haughty dome which vies
In air with Earth's chief structures, though their frame
Sits on the firm-set ground—and this the clouds must claim.


    and the sacredness of St. Peter's make for and effect this embodiment. So, too, the living temple "so defined," great with the greatness of holiness, may become the enshrinement and the embodiment of the Spirit of God.]

  1. His earthly palace——.—[MS. M. erased.]
  2. [This stanza may be paraphrased, but not construed. Apparently, the meaning is that as the eye becomes accustomed to the details and proportions of the building, the sense of its vastness increases. Your first impression was at fault, you had not begun to realize the almost inconceivable vastness of the structure. You had begun to climb the mountain, and the dazzling peak seemed to be close at your head, but as you ascend, it recedes. "Thou movest," but the building expands; "thou climbest," but the Alp increases in height. In both cases the eye has been deceived by gigantic elegance, by the proportion of parts to the whole.]
  3. And fair proportions which beguile the eyes.—[MS. M. erased.]
  4. Painting and marble of so many dyes—
    And glorious high altar where for ever burn
    .—[MS. M. erased.]