display. The very buildings he erected, were built "at the suggestion and under the auspices" of others.
Harvey's mind was largely imbued with the imaginative faculty: how finely he brings in the classical allusion to "the Sicilian sea, dashing among the rocks around Charybdis, hissing and foaming and tossed hither and thither," in illustration of those who reason against the evidence of their senses. (p. 130.) And then what unbounded confidence he has in Nature (p. 153), and how keenly alive he is to her beauties in every sphere: Nature has not been sedulous to deck out animals only with ornaments; she has further thrown an infinite variety of beautiful dyes over the lowly and insensate herbs and flowers. (p. 426.)
In Harvey the religious sentiments appear to have been active; the exordium to his will is unusually solemn and grand. He also evinces true and elevated piety throughout the whole course of his work on Generation, and seizes every opportunity of giving utterance to his sense of the immediate agency and omnipotence of Deity. He appears, with the ancient philosophers, to have regarded the universe and its parts as actuated by a Supreme and all-pervading Intelligence. He was a great admirer of Virgil, whose works were frequently in his hands, and whose religious philosophy he seems also, in a great measure, to have adopted. The following beautiful and often-quoted passage of his favorite author may be said to embody his ideas on this subject, as they appear repeatedly in the course of the work on Generation:—
"Principle cœlum ac terras camposque liquentes,
Lucentemque globum lunæ, Titaniaque astra,
Spiritus intus alit, totamque infusa per artus
Mens agitat molem, et magno se corpora miscet."
—The heavens and earth, and ocean's liquid plains,
The moon's bright orb, and the Titanian stars,
Are fed by intrinsic spirit: deep infused
Through all, mind mingles with and actuates the mass.
