true marks of christianity, in opposition to the pageantry, superstition, and tyranny of the church of Rome, on the one hand; and the spleen, hypocrisy, and enthusiasm of Calvinism, on the other. This had been often done before in a serious way, but it was the new manner of treating the subject that produced the great effect. While the English divines had for more than a century been engaged in a constant state of warfare with their antagonists, and attacked them with serious reasoning, and vehemence of argumentation, their antagonists were always considered as powerful and formidable; and though often foiled, were never looked upon as subdued. While these different religions were rendered odious or terrible to the imaginations of people, the very feelings of that hatred and fear, were accompanied with the ideas of danger and power in the objects which excited them, and of course gave them a consequence. But the instant they were rendered ridiculous, they became contemptible, and their whole power vanished; nor was there ever a stronger instance of the truth of Horace's rule,
Ridiculum acri
Fortius & melius magnas plerumque secat res;
than in the effects produced by the Tale of a Tub, with regard to the weakening of the powers of popery and fanaticism in this country. Effects not merely temporary, but which, with their cause, are likely to last, as long as the English language shall be read.
After the publication of this work. Swift wrote nothing of consequence for three or four years, dur-
