Page:The Works of the Rev. Jonathan Swift, Volume 2.djvu/153

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A DIGRESSION CONCERNING CRITICKS.
101

to himself, and his heirs: upon which he took possession, turned the young squires out, and received his brothers in their stead[1].





SECT. III.


A DIGRESSION CONCERNING CRITICKS[2].


ALTHOUGH I Have been hitherto as cautious as I could, upon all occasions, most nicely to follow the rules and methods of writing laid down by the example of our illustrious moderns; yet has the unhappy shortness of my memory led me into an errour, from which I must extricate myself, before I can decently pursue my principal subject. I confess with shame, it was an unpardonable omission to proceed so far as I have already done, before I had performed the due discourses, expostulatory, supplicatory, or deprecatory, with my good lords the criticks. Towards some atonement for this grievous neglect, I do here make humbly bold, to present them with a short account of themselves, and their art, by looking into the original and pedigree of the word, as it is generally understood among us;

  1. Ibid. The bishops of Rome enjoyed their privileges in Rome at first, by the favour of emperors, whom at last they shut out of their own capital city, and then forged a donation from Constantine the Great, the better to justify what they did. In imitation of this, Peter, having run something behind-hand in the world, obtained leave of a certain lord, &c. W. Wotton.
  2. The several digressions are written in ridicule of bad criticks, dull commentators, and the whole fraternity of Grub-street philosophers. Orrery.
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