men who are either hard-hearted or unimaginative do not weep easily, and weeping is even always regarded as a sign of a certain degree of goodness of character, and disarms anger, because it is felt that whoever can still weep, must necessarily always be capable of love, i.e., sympathy towards others, for this enters in the manner described into the disposition that leads to weeping. The description which Petrarch gives of the rising of his own tears, naïvely and truly expressing his feeling, entirely agrees with the explanation we have given—
"I vo pensando: e nel pensar m' assale
Una pietà si forte di me stesso,
Che mi conduce spesso,
Ad alto lagrimar, ch'i non soleva."[1]
What has been said is also confirmed by the fact that children who have been hurt generally do not cry till some one commiserates them; thus not on account of the pain, but on account of the idea of it. When we are moved to tears, not through our own suffering but through that of another, this happens as follows. Either we vividly put ourselves in the place of the sufferer by imagination, or see in his fate the lot of humanity as a whole, and consequently, first of all, our own lot; and thus, in a very roundabout way, it is yet always about ourselves that we weep, sympathy with ourselves which we feel. This seems to be the principal reason of the universal, and thus natural, weeping in the case of death. The mourner does not weep for his loss; he would be ashamed of such egotistical tears, instead of which he is sometimes ashamed of not weeping. First of all he certainly weeps for the fate of the dead, but he also weeps when, after long, heavy, and incurable suffering, death was to this man a wished-for deliverance. Thus, principally, he is seized with sympathy for the lot of all
- ↑ As I wander sunk in thought, so strong a sympathy with myself comes over me that I must often weep aloud, which otherwise I am not wont to do.
