indeed often to his collocutors in general. The converse of irony is accordingly seriousness concealed behind a joke, and this is humour. It might be called the double counterpoint of irony. Explanations such as "Humour is the interpenetration of the finite and the infinite" express nothing more than the entire incapacity for thought of those who are satisfied with such empty phrases. Irony is objective, that is, intended for another; but humour is subjective, that is, it primarily exists only for one's own self. Accordingly we find the masterpieces of irony among the ancients, but those of humour among the moderns. For, more closely considered, humour depends upon a subjective, yet serious and sublime mood, which is in voluntarily in conflict with a common external world very different from itself, which it cannot escape from and to which it will not give itself up; therefore, as an accommodation, it tries to think its own point of view and that external world through the same conceptions; and thus a double incongruity arises, sometimes on the one side, sometimes on the other, between these concepts and the realities thought through them. Hence the impression of the intentionally ludicrous, thus of the joke, is produced, behind which, however, the deepest seriousness is concealed and shines through. Irony begins with a serious air and ends with a smile; with humour the order is reversed. The words of Mercutio quoted above may serve as an example of humour. Also in "Hamlet" – Polonius: "My honourable lord, I will most humbly take my leave of you. Hamlet: You cannot, sir, take from me anything that I will more willingly part withal, except my life, except my life, except my life." Again, before the introduction of the play at court, Hamlet says to Ophelia: "What should a man do but be merry? for, look you, how cheerfully my mother looks, and my father died within these two hours. Ophelia: Nay, 'tis twice two months, my lord. Hamlet: So long? Nay, then let the devil wear black, for I'll have a suit of sables."
