syllables the same sound of word should be heard, or even that these syllables themselves should present a kind of rhythmical beat. But without such violence very few verses would be made; for it must be attributed to this that in foreign languages verses are much more difficult to understand than prose. If we could see into the secret workshops of the poets, we would find that the thought is sought for the rhyme ten times oftener than the rhyme for the thought; and even when the latter is the case, it is not easily accomplished without pliability on the part of the thought. But the art of verse bids defiance to these considerations, and, moreover, has all ages and peoples upon its side, so great is the power which metre and rhyme exercise upon the feeling, and so effective the mysterious lenocinium which belongs to them. I would explain this from the fact that a happily rhymed verse, by its indescribably emphatic effect, raises the feeling as if the thought expressed in it lay already predestined, nay, performed in the language, and the poet has only had to find it out. Even trivial thoughts receive from rhythm and rhyme a touch of importance; cut a figure in this attire, as among girls plain faces attract the eye by finery. Nay, even distorted and false thoughts gain through versification an appearance of truth. On the other hand, even famous passages from famous poets shrink together and become insignificant when they are reproduced accurately in prose. If only the true is beautiful, and the dearest ornament of truth is nakedness, then a thought which appears true and beautiful in prose will have more true worth than one which affects us in the same way in verse. Now it is very striking, and well worth investigating, that such trifling, nay, apparently childish, means as metre and rhyme produce so powerful an effect. I explain it to myself in the following manner: That which is given directly to the sense of hearing, thus the mere sound of the words, receives from rhythm and rhyme a certain completeness and significance in itself
