little in old age, the passions and desires, with the susceptibility for their objects, are extinguished; the emotions no longer find anything to excite them; for the power of presenting ideas to the mind always becomes weaker, its images fainter; the impressions no longer cleave to us, but pass over without leaving a trace, the days roll ever faster, events lose their significance, everything grows pale. The old man stricken in years totters about or rests in a corner now only a shadow, a ghost of his former self. What remains there for death to destroy? One day a sleep is his last, and his dreams are ––. They are the dreams which Hamlet inquires after in the famous soliloquy. I believe we dream them even now.
I have here also to remark that the maintenance of the life process, although it has a metaphysical basis, does not go on without resistance, and consequently not without effort. It is this to which the organism yields every night, on account of which it then suspends the brain function and diminishes certain secretions, the respiration, the pulse, and the development of heat. From this we may conclude that the entire ceasing of the life process must be a wonderful relief to its motive force; perhaps this has some share in the expression of sweet contentment on the faces of most dead persons. In general the moment of death may be like the moment of awaking from a heavy dream that has oppressed us like a nightmare.
Up to this point the result we have arrived at is that death, however much it may be feared, can yet really be no evil. But often it even appears as a good thing, as something wished for, as a friend. All that have met with insuperable obstacles to their existence or their efforts, that suffer from incurable diseases or inconsolable griefs, have as a last refuge, which generally opens to them of its own accord, the return into the womb of nature, from which they arose for a short time, enticed by the hope of more favourable conditions of existence
