by another door and then straightway quitted the house. At another time, when I was at the opera with them (Mrs. Milsom had invited me to their box) I attempted to point Mr. Paraday out to her in the stalls. On this she asked her sister to change places with her, and, while that lady devoured the great man through a powerful glass, presented, all the rest of the evening, her inspired back to the house. To torment her tenderly I pressed the glass upon her, telling her how wonderfully near it brought our friend's handsome head. By way of answer she simply looked at me in grave silence; on which I saw that tears had gathered in her eyes. These tears, I may remark, produced an effect on me of which the end is not yet. There was a moment when I felt it my duty to mention them to Neil Paraday; but I was deterred by the reflection that there were questions more relevant to his happiness.
These questions indeed, by the end of the season, were reduced to a single one—the question of reconstituting, so far as might be possible, the conditions under which he had produced his best work. Such conditions could never all come back, for there was a new one that took up too much place; but some perhaps were not beyond recall, I wanted above all things to see him sit down to the subject of which, on my making his acquaintance, he had read me that admirable sketch. Something told me there was no security but in his doing so before the new factor, as we used to say at Mr. Pinhorn's, should render the problem incalculable. It only half reassured me that the sketch itself was so copious and so eloquent that even at the worst there would be the making of a small but complete book, a tiny volume which, for the faithful, might well become an object of adoration. There would even not be wanting critics to declare, I foresaw, that the plan was a thing to be more thankful for than the structure to have been reared on it. My impatience