enlighten him as to my real spirit. All the disinterested people here are his particular admirers and have been carefully selected as such. There is supposed to be a copy of his last book in the house, and in the hall I come upon ladies, in attitudes, bending gracefully over the first volume. I discreetly avert my eyes, and when I next look round the precarious joy has been superseded by the book of life. There is a sociable circle or a confidential couple, and the relinquished volume lies open on its face, as if it had been dropped under extreme coercion. Somebody else presently finds it and transfers it, with its air of momentary desolation, to another piece of furniture. Every one is asking every one about it all day, and every one is telling every one where they put it last. I'm sure it's rather smudgy about the twentieth page. I have a strong impression too that the second volume is lost—has been packed in the bag of some departing guest; and yet everybody has the impression that somebody else has read to the end. You see therefore that the beautiful book plays a great part in our conversation. Why should I take the occasion of such distinguished honours to say that I begin to see deeper into Gustave Flaubert's doleful refrain about the hatred of literature? I refer you again to the perverse constitution of man.
"The Princess is a massive lady with the organisation of an athlete and the confusion of tongues of a valet de place. She contrives to commit herself extraordinarily little in a great many languages, and is entertained and conversed with in detachments and relays, like an institution which goes on from generation to generation or a big building contracted for under a forfeit. She can't have a personal taste, any more than, when her husband succeeds, she can have a personal crown, and her opinion on any matter is rusty and heavy and plain made, in the night of ages, to last and be transmitted. I feel as if I ought to pay some one a