peaceful country, where the broad roads are but pathways through green meadows, and your footstep keeps the time to a gentle music of pure streams. There the scent of roses, and the first pushing buds of spring, mark the seasons, and the birds call out faithfully the time and manner of the day. Here Easter is heralded by the advent in some squalid mart of air-balls on Good Friday; early summer and late may be known by observation of that unromantic yet authentic calendar in which alley-tors, tip-cat, whip- and peg-tops, hoops and suckers, in their courses mark the flight of time.
Perhaps attracted by the incongruity, I took this way. In such a thoroughfare it is remarkable that satisfied as are its public with transient substitutes for literature, they require permanent types (the term is so far misused it may hardly be further outraged) of Art. Pictures, so-called, are the sole departure from necessity and popular finery which the prominent wares display. The window exhibiting these aspirations was scarcely more inviting than the fishmonger's next door, but less odoriferous, and I stopped to see what the ill-reflecting lights would show. There was a typical selection. Prominently, a large chromo of a girl at prayer. Her eyes turned upwards, presumably to heaven, left the gazer in no state to dwell on the elaborately bared breasts below. These might rival, does wax-work attempt such beauties, any similar attraction of Marylebone's extensive show. This personification of pseudo-purity was sensually diverting, and consequently market able.
My mind seized the ideal of such a picture, and turned from this prostitution of it sickly away. Hurriedly I proceeded, and did not stop again until I had passed the low gateway of the place I sought.
Its forbidding exterior was hidden in the deep twilight and
