of gauging the greatness of its own artists is the merest bauble-tit. Were it not for the accursed abuse of their function by the great body of critics, no poet need "live uncrown'd, apart." Many and irreparable are the wrongs that our critics have done. At length let them repent with ashes upon their heads. Where they see not beauty, let them be silent, reverently feeling that it may yet be there, and train their dull senses in quest of it.
Now is a good time for such penance. There are signs that our English literature has reached that point, when, like the literatures of all the nations that have been, it must fall at length into the hands of the decadents. The qualities that I tried in my essay to travesty—paradox and marivaudage, lassitude, a love of horror and all unusual things, a love of argot and archaism and the mysteries of style are not all these displayed, some by one, some by another of les jeunes écrivains? Who knows but that Artifice is in truth at our gates and that soon she may pass through our streets? Already the windows of Grub Street are crowded with watchful, evil faces. They are ready, the men of Grub Street, to pelt her, as they have pelted all that came before her. Let them come down while there is still time, and hang their houses with colours, and strew the road with flowers. Will they not, for once, do homage to a new queen? By the time this letter appears, it may be too late!
Meanwhile, Sir, I am, your obedient servant,
MAX BEERBOHM.
Oxford, May 94.
