- lar festival with a liberal scattering of largess. The Patriarch
Menas rode in the royal chariot to the entrance, while the Emperor walked alongside of him among the people.[1] Filled with enthusiasm, Justinian advanced to the ambo, and, looking around, with his arms extended, exclaimed, "Glory be to God for thinking me worthy to finish such a work; Solomon, I have excelled you!"[2]
While her consort was absorbed in the erection of St. Sophia, Theodora interested herself especially in the restoration of the Church of the Holy Apostles, which had become dilapidated through age. A different design was here followed, the form of a cross being given to this edifice, which was surmounted by five domes, one in each of the branches, and a central one at their intersection.[3] Church building now became one of Justinian's habitual pursuits, and for many years he continued to embellish the Empire with these samples of his religious devotion. In the city and its immediate suburbs, on the Golden Horn and the Bosphorus, new or renovated places of worship continually rose into sight.[4] At Jerusalem a church to the Virgin was constructed with exceptional magnificence, and the numerous religious bodies congregated in that city were handsomely housed by the Imperial exchequer.[5]
The Emperor's contributions to secular architecture were not less noteworthy than his pious foundations. The vestibule of Chalke was restored in a very costly manner as a quadrangular hall, with an imposing roof made up of arches and vaults supported on four square columns. This cham-*
