Justin appeared, was acclaimed and hoisted on a buckler, and all the customary preliminaries of a coronation were enacted. The new Emperor made a speech, in which he promised to reform all abuses, and gave a practical earnest of his intentions by announcing that his uncle's debts would be paid forthwith. A band of notaries, accompanied by a gang of porters bearing bags of gold, then entered the arena, and all creditors who presented themselves had their accounts settled. The completion of the obsequies was the next duty to be accomplished. The people thronged the hall where the corpse lay in state; the bier was lifted up and borne away amid a crowd of mourners carrying wax lights, and a choir of virgins who intoned hymns as the procession moved along. The Church of the Holy Apostles was its destination, and when that edifice was reached the body was deposited in a golden sarcophagus which had been prepared for its reception by Justinian himself. A popular festival followed; the city was decorated with flowers, fruits, reeds, and olive branches; a variety of musical instruments resounded from every quarter amid popular applause and rejoicings; and the reign of Justin II was inaugurated with all the illusive hopes which foresaw the return of the Golden Age in the accession of the new monarch.[1]
- ↑ The funeral and coronation scenes are described by Corippus in his poem, De Laud. Justini Min., i, 226, et seq., iii, 28, et seq., etc. Theophanes Byz. mentions a general of the East, "Theodore, son of Justinian," who is generally supposed to be a son of the Emperor by a concubine after the death of Theodora. Procopius gives an account of a youth whom the latter was attached to, but treated cruelly. He seems, however, not to have been a lover, but merely a protégé; Anecd., 16. Justinian figures in Dante's Paradise (vi), and has a whole canto to himself. He summarizes Roman history both before and after his own times, and confesses that he owes his salvation to having been converted from Monophysitism by Pope Agapetus.
