the eloquence of her beauty—and of her body, close to him, slender and cool.
"Tell him to turn around," she murmured, "and drive pretty fast going back...."
Up in the supper room the air was hot. The table, littered with napkins and ash-trays, was old and stale. It was between dances as they entered, and Muriel Kane looked up with roguishness extraordinary.
"Well, where have you been?"
"To call up mother," answered Gloria coolly. "I promised her I would. Did we miss a dance?"
Then followed an incident that though slight in itself Anthony had cause to reflect on many years afterward. Joseph Bloeckman, leaning well back in his chair, fixed him with a peculiar glance, in which several emotions were curiously and inextricably mingled. He did not greet Gloria except by rising, and he immediately resumed a conversation with Richard Caramel about the influence of literature on the moving pictures.
Magic
The stark and unexpected miracle of a night fades out with the lingering death of the last stars and the premature birth of the first newsboys. The flame retreats to some remote and platonic fire; the white heat has gone from the iron and the glow from the coal.
Along the shelves of Anthony's library, filling a wall amply, crept a chill and insolent pencil of sunlight touching with frigid disapproval Therese of France and Ann the Superwoman, Jenny of the Orient Ballet and Zuleika the Conjurer—and Hoosier Cora—then down a shelf and into the years, resting pityingly on the over-invoked shades of Helen, Thais, Salome, and Cleopatra.
Anthony, shaved and bathed, sat in his most deeply
