expression of his features, and the intonations of his voice, made them understand the main incidents of his narrative, and swayed their minds in an extraordinary manner. Alluding to that point of his history at which Cinque described how, when on board the Spanish vessel, he, with the help of a nail, first relieved himself of his manacles, then assisted his countrymen to get rid of theirs, and then led them to the attack of the Spaniards, Lewis Tappan, in the account of the whole proceedings connected with the Amistad captives, which he published, says, "It is not in my power to give an adequate description of Cinque when he showed how he did this, and led his comrades to the conflict, and achieved their freedom. In my younger years I have seen Kemble and Siddons, and the representation of 'Othello,' at Covent Garden; but no acting that I have ever witnessed came near that to which I allude."
ALEXANDRE DUMAS.
I had been in Paris a week without seeing Dumas, for my letter of introduction from Louis Blanc, who was then in exile in England, to M. Eugene Sue, had availed me nothing as regarded a sight of the great colored author. Sue had promised me that I should have an interview with Dumas before I quitted the French capital; but I had begun to suspect that the latter felt that it would be too much of a condescension to give audience to an American slave, and I began to grow indifferent myself upon the matter. Invited by
