longer than Ibsen anticipated. It was his first play in modern prose, and the medium did not come easy to him. Six or seven years earlier, he wrote the opening scenes of Love's Comedy in prose, but was dissatisfied with the effect, and recast the dialogue in rhymed verse. Having now outgrown his youthful romanticism, and laid down, in Brand and Peer Gynt, the fundamental positions of his criticism of life, he felt that to carry that criticism into detail he must come to close quarters with reality; and to that end he required a suppler instrument than verse. He must cultivate, as he afterwards[*] put it, "the very much more difficult art of writing the genuine, plain language spoken in real life." Probably the mastery of this new art cost him more effort than he anticipated, for, instead of having the play finished by the end of 1868, he did not despatch the manuscript to Copenhagen until March 1869. It was published on September 30 of that year.
While the comedy was still in process of conception, Ibsen had written to his publisher: "This new, peaceable work is giving me great pleasure." It thus appears that he considered it less polemical in its character than the poems which had immediately preceded it. If his intentions were pacific, they were entirely frustrated. The play was regarded as a violent and wanton attack on the Norwegian Liberal party, while Stensgård was taken for a personal lampoon on Björnson. Its first performance at the Christiania Theatre (October 18, 1869) passed quietly enough; but at the second and third performances an organised opposition took the field, and disturbances amounting almost to a riot occurred.
- Letter to Lucie Wolf, May 1883. Correspondence, Letter 171.
