rely upon such comprehension; but it gave me inexpressible pleasure to find my hope confirmed by your letter. Yes, there are points of resemblance—indeed many. And you have seen and felt them—points, I mean, which I could arrive at only by divination. But it is now many years since you, in virtue of your spiritual development, began, in one form or another, to make your presence felt in my work." Camilla Collett died in 1895, at the age of eighty-two.
Nowhere has The Lady from the Sea proved one of Ibsen's most popular works. It was acted in all the Scandinavian capitals, and in several German cities, in February and March 1889. The poet himself was present at the first performance at the Royal Theatre, Berlin, on March 4, and afterwards (March 14) at a performance at Weimar, where he was called before the curtain after each act, and received a laurel wreath. In a letter to Hoffory, he expressed himself delighted with the actor who played the Stranger at Weimar; "I could not desire, and could scarcely conceive, a better embodiment of the part—a long gaunt figure, with hawk-like features, piercing black eyes, and a fine, deep, veiled voice." The play holds the stage here and there in Germany, but is not very frequently acted.
In London, five performances of Mrs. Marx-Aveling's translation were given, under the direction of Dr. Aveling, at Terry's Theatre in May 1891—the year of the first performance in England of Ghosts, Rosmersholm and Hedda Gabler. This wholly inadequate production was followed, eleven years later, by a revival at the Royalty Theatre, by the Stage Society, in which Ellida was played by Miss Janet Achurch, and the Stranger by Mr. Laurence Irving. In Paris, an organisation calling itself "Les
