DEFOE
with the important and lasting side of things and not with the passing and trivial. He is often dull. He can imitate the matter-of-fact precision of a scientific traveller until we wonder that his pen could trace or his brain conceive what has not even the excuse of truth to soften its dryness. He leaves out the whole of vegetable nature, and a large part of human nature. All this we may admit, though we have to admit defects as grave in many writers whom we call great. But that does not impair the peculiar merit of what remains. Having at the outset limited his scope and confined his ambitions he achieves a truth of insight which is far rarer and more enduring than the truth of fact which he professed to make his aim. Moll Flanders and her friends recommended themselves to him not because they were, as we should say, “picturesque”; nor, as he affirmed, because they were examples of evil living by which the public might profit. It was their natural veracity, bred in them by a life of hardship, that excited his interest. For them there were no excuses; no kindly shelter obscured their motives. Poverty was their taskmaster. Defoe did not pronounce more than a judgement of the lips upon their failings. But their courage and resource and tenacity delighted him. He found their society full of good talk, and pleasant stories, and faith in each other, and morality of a home-made kind. Their fortunes had that infinite variety which he praised and relished and beheld with wonder in his own life. These men and women, above all, were free to talk openly of the
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