Page:The drama of three hundred and sixty-five days.djvu/79

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SCENES IN THE GREAT WAR

to sleeping cities in the darkness of the night. And their submarines, tolerated by international courts only as weapons of attack on warships, were authorized to sink harmless merchantmen, without any word of warning, or any effort to save life. Could scientific knowledge under the direction of moral insanity go one step farther? Flying in the highest sky, hiding behind the densest clouds, stealing across the heavens in the dark hours, dropping fireballs on to the silent earth, sneaking back in the dawn; and then sailing through the womb of the great deep, rising like a serpent to spit death at innocent ships, diving to avoid destruction and scudding away under cover of the empty sea—what a spectacle of divine power at the service of devilish passion! It was difficult to believe that our enemies had not gone mad. They were no longer fighting like men, but like demons.


THE SOUL OF THE MAN WHO SANK THE LUSITANIA
The crowning horror of Germany's barbarities came with the sinking of the Lusitania. Perhaps nothing less shocking could have made us see how much less cruel Nature is at her worst than man in his madness may be. Three years before the Titanic had been sunk on a clear and quiet night, because a great iceberg formed in the

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