Page:The drama of three hundred and sixty-five days.djvu/91

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SCENES IN THE GREAT WAR

Pushkin, Gogol, Tourgeneiff, Tolstoy, Repin, Dostoyevsky, and Glinka, or yet in Kuprine, Gorki, Anoutchin, Merejkowsky, and Baranovsky, but in those simpler and perhaps cruder writings which speak directly to uneducated minds, the same striving after the spiritual is everywhere to be seen. Books like Treitschke's, Nietzsche's, and Bernhardi's would be impossible in Russia, not, heaven knows, because of their "intellectual superiority," which is another name for braggadocio, but because of their moral insensibility, their glorification of the physical forces of the body of man, which the Russian mind sets lower than the unseen powers of his soul.


THE RUSSIAN MOUJIK MOBILIZING
So the flashes as of lightning that have shown us the part Russia has played in the drama of the past 365 days have revealed a people acting under something very like a religious impulse. We have seen the moujiks being mobilized in remote parts of the vast country, and have found it a moving picture. It is probable that the war had been going on for weeks before they heard anything about it. Almost certainly they had no clear idea of where the fighting was, or what it was about, the theatre of the struggle being so far away and their ignorance of the world

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