INTRODUCTION
made him free of their company. As a good Civil Servant he was no politician, and he showed no leaning whatever toward what was regarded in his time as the greatest of all professions—that of arms. These two deficiencies, if deficiencies they be, only endear him the more to ns. Every one likes a man who deserves to enjoy life and does, in fact, enjoy it. Perrault was such a man. He was more. He was the cause of enjoyment to countless of his fellows, and his stories still promise enjoyment to countless others to come.
It is amazing to remember that Perrault was rather ashamed of his "Histoires ou Contes du Temps Passé"—perhaps better known as "Les Contes de ma Mère l'Oye" or "Mother Goose's Tales," from the rough print which was inserted as a frontispiece to the first collected edition in 1697. He would not even publish them in his own name. They were declared to be by P. Darmancour, Perrault's young son. In order that the secret might be well kept, Perrault abandoned his usual publisher, Coignard, and went to Barbin. The stories had previously appeared from time to time, anonymously, in Moetjens' little magazine the "Recueil," which was published from The Hague. "La Belle au Bois Dormant" ("Sleeping Beauty") was the first: and in rapid succession followed "Le Petit Chaperon Rouge" ("Red Riding-Hood"), "Le Maistre Chat, ou le Chat Botté" ("Puss in Boots"), "Les Fees" ("The Fairy"), "Cendrillon, ou la Petite Pantoufie de Verre" ("Cinderella"), "Riquet à
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