Page:The fireside sphinx.djvu/156

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THE FIRESIDE SPHINX

the concluding sentence of his history that, after his master's elevation, he was so well fed, he never hunted mice any more, save for exercise and amusement.

"The White Cat," one of the prettiest and most popular of fairy stories, comes from France. The Comtesse D'Aunoy gave it to her grateful country in 1682; and if the central theme of three rival brothers bringing home the wonders of the world be nearly as old as the world itself, yet the charming figure of the Cat—as lovely in her white fur, and with pattes de velours, as after her transformation into a Princess—is distinctly modern, and marks the fast swelling tide of admiration for feline beauty, which during centuries of darkness had been stupidly and blindly ignored. In France it was Pussy's grace and sweetness which triumphed finally over prejudice. In England and in Germany it was the recognition of her domestic qualities which won her, first tolerance, then esteem, then loving and loyal devotion. Slowly and surely it dawned upon dim mortal minds that a house is transformed into a home when the small fireside Sphinx takes tranquil possession of its chimney-corner. With this discovery came the elevation of individual pussies to the scrutiny, and consequently to the admiration, of the world. The personal note was struck, and the victory of the cat was won.