Page:The fireside sphinx.djvu/44

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THE FIRESIDE SPHINX

she was known in pleasure-loving Pompeii is proven by the spirited mosaics in the Museum of Naples, one of which represents her springing upon a partridge, like the "base cat" reproached by Damocharis. There is something indefinably pitiless in the attitude of this animal, a savage and ruthless energy in the shedding of innocent blood, which seems ill-calculated to soften the prejudiced mind. Italy was indeed no school of gentleness. Cruelty had been refined to a pleasure, and mercy had been austerely banished from philosophy. Marcus Aurelius could easily endure to sit for hours in the amphitheatre, bored and distrait, it is true, but with unmoved serenity. The slaughter of a hundred lions afforded him no recreation; but, as he had generously given the animals to be killed for the diversion of simpler souls, he found no fault with their enjoyment of the spectacle. A creature, beautiful and weak, might well be cherished one hour for its beauty, and destroyed the next as a penalty for its weakness. In "Marius the Epicurean" there is a pretty description of a white cat purring its way gracefully among the wine cups at a feast given in honour of Apuleius,—"coaxed onward from place to place by those at table, as they reclined easily on their cushions of German eiderdown, spread over the long-legged carved couches." This dainty and somewhat supercilious guest has been brought to the supper by a young Roman;