tops, danced gravely, thoughtfully, silently, like a mathematician working out a problem, under the lights that shed bluish tones upon his plastered, glossy locks. Ladies asked to be presented to him in the sweet hope that their friends might envy them when they beheld them in the arms of the master. Invitations simply rained upon Julio. The most exclusive salons were thrown open to him so that every afternoon he made a dozen new acquaintances. The fashion had brought over professors from the other side of the sea, compatriots from the slums of Buenos Aires, haughty and confused at being applauded like famous lecturers or tenors; but Julio triumphed over these vulgarians who danced for money, and the incidents of his former life were considered by the women as deeds of romantic gallantry.
"You are killing yourself," Argensola would say. "You are dancing too much."
The glory of his friend and master was only making more trouble for him. His placid readings before the fire were now subject to daily interruptions. It was impossible to read more than a chapter. The celebrated man was continually ordering him to betake himself to the street. "A new lesson," sighed the parasite. And when he was alone in the studio numerous callers—all women, some inquisitive and aggressive, others sad, with a deserted air—were constantly interrupting his thoughtful pursuits.
One of them terrified the occupants of the studio with her insistence. She was a North American of uncertain age, somewhere between thirty-two and fifty-nine, with short skirts that whenever she sat down seemed to fly up as if moved by a spring. Various dances with Desnoyers and a visit to the rue le la Pompe she seemed to consider as her sacred rights, and she pursued the master with the desperation of an abandoned zealot. Julio had made good
